Artist call HandShake4

Application deadline Monday, 10 Oct 2016

HANDSHAKE2 invitation(e)

Jewellers’ international handshake

Originally aired on Standing Room Only, Sunday 13 September 2015

For almost two years 11 emerging New Zealand contemporary jewellers have been mentored by big names international names in jewellery.Now the work of mentors and mentees is being shown side by side for the first time. The Handshake project paired the Kiwi jewellers with their heros at the start of last year. They’ve collaborated using online video and email. So how did it work? Mentor David Meale from Melbourne in Australia, and to Hastings jeweller Vanessa Arthur talk about their collaboration. Mentors & Mentees, is on at AVID Gallery in Wellington.

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Becky and Kelly invitation at AVID

click here: Radio NZ interview with Courtney Johnson about Moniek Schrijer exhibition at the Dowse Art museum (Summer Noelle, 1 January 2015).

click here: Handcrafted heaven by Diana Dekker (article in the Dominium Post, 17 November).

click here: Radio interview: A Two Way Street – Handshake2 ( 13′ 50″ ) Originally aired on Standing Room Only, Sunday 14 September 2014

Mentoring is a two way street, and in the case of online mentorship programme – Handshake 2, which supports the development of our most talented contemporary jewellers, it is the mentor who must work for the mentee to help them to develop their ideas.

Amelia Pascoe and Ruudt Peters

Netherlands-based Ruudt Peters is a man who continues to defy conventional thinking in his approach to  art, object and contemporary jewellery— as a pioneer in his art form he would rather sit on the periphery and stay true to his own voice, rather than conform to tradition.  In-keeping with his practice, when it comes to teaching, he leads his students through meditation and blind drawing to bring out an inner core and authenticity that is unique to the maker. For him, it’s not about making an object for the sake of beauty.

I hate beautiful…for me, jewellery is much more [it is] the content, the emotion, the way you wear it. You as a maker load the piece up, and the wearer loads the piece again. So you have a double loaded object.

Ruudt’s creative process and teaching methods are highly sought-after and have found their way into the heart of Wellington-based Amelia Pascoe whose own work straddles sculpture, object and adornment.

Pascoe has a Masters in Zoology and although she has made a departure from her previous work in biosecurity,  it has provided a great deal of inspiration in her jewellery practice. One project completed though Whitireia Polytechnic’s Jewellery Design course, involved  a series of pieces based on desire and trapping, where she likens the devices used to contain or constrain an animal – loops around the necks and pins that pierce the body, to the way in which we attach jewellery. The jewellery and objects that evolved from the project were ambiguous in form, with some containing an element of danger: “…a trap has to meet both the needs or desires of the  trapper, but also the needs and desires of the thing you want to attract.”

Pascoe is hoping to gain much more freedom in her practice, and being mentored by a uniquely acclaimed international practitioner such as Ruudt Peters was as obvious choice. “I come from a science background and I know that I can get quite brain-heavy [so] the idea of working with someone who could help me develop other aspects of my work was quite appealing.”

Handshake2 is the brainchild of contemporary jeweller and educator Peter Deckers. It is an online mentorship programme which has been funded by Creative New Zealand. As part of the process a series of exhibitions will take place, showcasing the outcome of the mentor-mentee development. To find out more about handshake2 head to their website.

click here: Peter Deckers’ lecture at the 15th Biennial JMGA conference: Participation + Exchange, Brisbane

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